劍橋雅思10test2passage3答案及解析

劍橋雅思10test2passage3答案及解析

第27題選：B

對應(yīng)原文：第2段：This might be explained by the fact that the novel has evolved precisely because of technological developments that made it possible to print out huge numbers of texts

答案解析：根據(jù)manuscripts of novels定位到這一句，題目上問的是小說的出現(xiàn)依賴于什么，由此鎖定technological developments和huge numbers of texts，下面選項中只有B能夠與其對應(yīng)，由此鎖定答案。I選項雖然有technology，但錯在basic這一限定。

第28題選：H

對應(yīng)原文：第2段：With novels,the reader attends mainly to the meaning of words rather than the way they are printed on the page

答案解析：順著上一題往下，原文中再次提到novel就是這個句子。題干中問的是，對于小說而言，什么最重要，由此鎖定meaning of words。選項中只有H可以與此對應(yīng)。

第29題選：L

對應(yīng)原文：第3段：The seven surviving versions of Mona Lisa bear witness to the fact that in the 16th century,artists seemed perfectly content to assign the reproduction of their creations to their workshop apprentices as regular“bread and butter”work.

答案解析：題目上進行了分段，因此我們將注意力放在第三段中。根據(jù)historical times和16th century的對應(yīng)定位到這句話。題干中問的是指示誰來復(fù)制，由此鎖定workshop apprentices，確定答案為L。

第30題選：G

對應(yīng)原文：第3段：reprographic techniques that allow the production of high-quality prints made exactly to the original scale,with faithful colour values,and even with duplication of the surface relief of the painting.

答案解析：根據(jù)surface定位到這句話，原文中提到了復(fù)制品的三種特征，分別為scale，colour和surface relief，而后兩者在題干上均已出現(xiàn)，由此鎖定scale，根據(jù)同義替換確定答案為G。

第31題選：D

對應(yīng)原文：第4段：museums continue to promote the special status of original work.

第5段：Unfortunately,this seems to place severe limitations on the kind of experience offered to visitors.

答案解析：根據(jù)promote和superiority定位到第4段，從題干可以推測出空上應(yīng)該填的應(yīng)該是某類人的利益，由此鎖定visitors，根據(jù)同義替換，確定

第32題選：C

對應(yīng)原文：第6段：In a society that judges the personal status of the individual so much by their material worth,it is therefore difficult not to be impressed by one’s own relative‘worthlessness’in such an environment.

答案解析：這種作者提到某一例子想要表達什么的題目的答案一般位于段首或者段尾，由此鎖定這句話。原文中說，面對高價的藝術(shù)品，參觀站可能感覺自己一文不值。即博物館對訪客自身認知的負面影響，由此確定答案為C。

第33題選：D

對應(yīng)原文：第7段：Evidently,nothing the viewer thinks about the work is going to alter that value,and so today’s viewer is deterred from trying to extend that spontaneous,immediate,self-reliant kind of reading which would originally have met the work.

答案解析：根據(jù)critise定位到第7段。原文中提到，參觀者不愿意評論藝術(shù)作品的原因是他們認為自己的想法并不會改變藝術(shù)品的價值。即個人反饋無關(guān)緊要，因此確定D為答案。

第34題選：A

對應(yīng)原文：第8段：The visitor may then be struck by the strangeness of seeing such diverse paintings,drawings and sculptures brought together in an environment for which they were not originally created.This‘displacement effect’is further heightened by the sheer volume of exhibits.

答案解析：根據(jù)原文描述，displacement effect的原因有兩個。一是如此之多的藝術(shù)品被放在并非本來創(chuàng)作的環(huán)境中。二是展品的巨大數(shù)量。A選項基本與此相符，而選項B，C，D的描述都差的太遠，由此鎖定答案。

第35題選：D

對應(yīng)原文：第9段：A fundamental difference between paintings and other art forms is that there is no prescribed time over which a painting is viewed…whereas a picture has no clear place at which to start viewings or at which to finish.

答案解析：根據(jù)原文中的描述，畫作與其他藝術(shù)形式的區(qū)別主要在于沒有時間限制，沒有明確的開始與結(jié)束的地方。選項中只有D與此對應(yīng)，由此確定答案。

第36題選：NOT GIVEN

對應(yīng)原文：無

答案解析：原文中完全沒有題季a range of media的說法，這道題屬于無中生有，由此判斷為NOT GIVEN。

第37題選：NO

對應(yīng)原文：第10段：the dominant critical approach becomes that of the art historian…This is in perfect harmony with the museum’s function

答案解析：原文中提到藝術(shù)史學(xué)家的方法與博物館的功能完美契合。題干中的描述與此相反，由此確定答案為NO。

第38題選：YES

對應(yīng)原文：第11段：The museum public,like any other audience,experience art more rewardingly when given the confidence to express their views.

答案解析：原文中提到，如果博物館公眾能夠表達自己的意見，體驗會更好。即應(yīng)該鼓勵他們發(fā)表自己的觀點。由此判斷答案為YES。

第39題選：NOT GIVEN

對應(yīng)原文：第11段：If appropriate works of fine art could be rendered permanently accessible to the public by means of high-fidelity reproductions

答案解析：原文中雖然確實提到了向公眾出售高品質(zhì)的復(fù)制品。但是否只能（only）出售高品質(zhì)，不能出售低品質(zhì)的則完全沒有提及。由此判斷答案為NOT GIVEN.

第40題選：NO

對應(yīng)原文：第11段：Unfortunately,that may be too much to ask from those who seek to maintain and control the art establishment.

答案解析：原文中提到，對于想要維持和控制藝術(shù)展覽的人來說，這一要求可能太過分了。可見他們并不愿意這么做。題干中的are likely to與詞描述相反，由此判斷答案為NO。

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